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Showing posts with the label stolen or faked art

Looted art in Germany and France - Hildebrand and Cornelius Gurlitt

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Notable German art dealer Hild­ebrand Gurlitt (1895–1956) was the ­son of a famous art hist­or­ian, Cornelius Gurlitt I (1850–1938), and grandson of Louis Gurlitt (1812–1897), an important C19th landscape artist. Early in his car­eer in the 1920s, Hilde­brand worked as a museum dir­ector in Zwickau, where he tried to convince people of the merits of modern art. But he faced a right wing backlash and was dropped. In 1933 he moved to Hamburg where young Hildebrand tried to rebuilt his career as a modern art dealer, just as the Nazis rose to power. Hildebrand started to actively link himself with the Nazi goals, writing to the Propa­ganda Ministry to volunteer his skills as a leading expert in modern i.e degenerate art. He was sent with other dealers to act for the Nazis, with the task of acquiring works for the Führermuseum project. Hit­ler’s Special Art Comm­ission of Linz planned to create a super museum in his boyhood town, Linz, that would contain every important art work in the w...

Krakow Salt Works Museum, under- and over-ground

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Since first writing about art stolen by the Nazis during WW2 and hid­den in various underground salt mines in Germany and Aust­ria, I have read everything I could on The Monument Men . When the Nazis found the Altaussee Salt Mines in Alp­ine Bavaria, for examp­le, they were delighted to ship their 6500 stolen art treas­ures into this salt-heavy, pastoral hideout. Today, ever since the film Monument Men appeared in our cinemas, tourists have flocked to the Altaussee Mines. When I heard of the Krakow Salt Mines Museum of Art on tv, I assumed it was another amazing memorial to art stolen by the Nazis during WW2. Wrong! Nonetheless it is fascinating. The Krakow Salt Works Museum is a large exhibition space in the Wieliczka Salt Mine in Southern Pol­and, established after WW2. The mine, which continuously pro­duced table salt from the Middle Ages on, now consists of Two Worlds, A] an underground with a large exhibit in the salt mine 135m below and B] an above­ground in the Salt Works Castl...

Great American art faker but not for profit: Mark Landis

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Mark A. Landis (born 1955) was born in Virginia but was constantly on the move with his Navy father. At age 17, the young man suffered a schizophrenic breakdown when his beloved father died. Art therapy helped, so Mark enrolled in School of the Art Institute of Chicago and then San Francisco Art Institute . But neither lasted for long. Landis became a forger who tricked 50 unsuspecting museums across 20 American states. He covered the USA, donating counterfeit art to museums, but not to enrich himself or to ridicule the establishment. Instead his goal was to be viewed as a philanthropist, gaining family respect. I must admit that to be a convincing forger, Landis must have been a talented artist in his own right . He "created" works in oil, watercolour, pastels, chalk, ink and pencil, making most of his copies from museum or auction catalogues that provided dimensions and information on the originals. Associated Press said that Landis, who has occasionally dressed as a Je...

3 fake Brett Whiteley paintings: the nation’s biggest art fraud?

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Australia's most famous modern artist, Brett Whiteley, married Wendy Julius in 1962; their only child Arkie  (1964-2001) became a talented actress. After the traumatic law case over her late father's will, Arkie developed cancers in her lungs and liver, tragically dying aged 37. In the meantime, Brett’s career as a painter blossomed. His Sydney Harbour scenes appeared in the collections of all the large Australian galleries, and was twice winner of the presitigious  Archibald Prize . He held many exhibitions, living and painting in Australia, Britain and Italy. In 1967 Whiteley won a scholarship to study and work in the USA. There he met other artists and musicians while he lived at the Hotel Chelsea New York , befriending musicians Janis Joplin and Bob Dylan . Perhaps in New York, Whiteley became increasingly addicted to her­oin and alcohol. Back in Australia his work output began to decline, al­though its market value continued to climb. He made several attempts to elim­i...